George Melly (c1932)
Surrounded by large late nineteenth-century houses, ringed by a sandy ride where middle-class little girls cantered self-consciously past on horses hired from a local riding school, Sefton Park forms a valley bisected by a string of lakes, the largest of which, ‘The Big Lake’, had boats for hire in summer and, when frozen in the winter, became black with skaters. On the other side of the lakes, dominating the landscape, is the Palm House, a large, circular, domed building of steel and glass in imitation of the Crystal Palace. When it was cold it offered a steamy refuge to expressionless men in bright blue suits and red ties, many of them missing an arm or leg. They were the institutionalised wounded of the 1914-18 war, and would sit all day smoking Woodbines on the fern-patterned Victorian benches. Behind them grew a contained circular jungle, its tropical trees and plants neatly labelled, and here and there a small marble statue of a coy nymph or simpering maiden with a quotation from a poet carved on her plinth. In summer the men sat outside on similar benches.
Statues ringed the exterior also, life-size and representing historic figures in the arts and sciences. Before I could read, my father invented false identities for those frozen worthies. A Swiss botanist, he assured me, represented the Prince of Wales, while Galileo, holding a globe of the world, he maintained to be Dixie Dean, the celebrated footballer. Beyond the Palm House the park levelled out to form a great plain big enough to accommodate the annual fair; below it a steep hill swept down to one of the little lakes.
At the bottom of this hill were two stone posts designed to discourage cyclists as there was then only a few yards across a road before the iron railings which ringed the water. I had at one time a small yellow motor car with push pedals and on one of our visits to look at Dixie Dean and the Prince of Wales my father made the following proposition. He would squat behind me on the yellow pedal car, in itself a rather precarious operation, and we would then free-wheel down the hill between the posts, whereupon I would have to turn the wheel abruptly to the right in order to avoid the railings. At five or six, for I can’t have been any older, this seemed a perfectly reasonable if exciting thing to do, for I trusted Tom entirely and the danger didn’t occur to me. We did it, gathering considerable speed, and shot between the posts missing the railings by a few inches. The mystery is that I cannot imagine what got into my father. It was most unlike him, and either or both of us could have been killed or badly injured. He told me not to tell my mother who wouldn’t understand and I never did. Perhaps though, like Maud’s driving, it is a false memory.